Would you like to have a class with Ellen?

Ellen would be delighted to have a class with you or your group! You can check out her classes at www.ellenanneeddy.com. She also offers independent studio time in her studio in Indiana. Talk to Ellen about classes at 219-921-0885, or contact her scheduler Sarah at 616-485-5646 to set a date

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Ellen Anne Eddy
Author of Thread Magic: The Enchanted World of Ellen Anne Eddy Fiber artist, author and teacher
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Monday, December 12, 2011

Lauren Strach: A Botanical Lunatic with a Plan

Lauren doesn't look like a lunatic. She looks like a pink cheeked soccer mom. Look out! Stand back! 


She's an emerging art quilter who attacks new approaches and techniques with gleeful ferocity. And masters them with passion. Every time she visits me, I find myself flying to my machine, inspired by her intensity.


Lauren says,

"My inspiration, like so many other quilters, comes from nature. 




As a life-long biologist and Master Gardener, I thought I saw nature, but it wasn’t until I embraced my artful journey that I began to really see.  My inspiration is found in the whorls of snail shells, the miniature worlds of mosses and lichens, the rugged nooks and crannies of the bark of the fallen tree, and the intricate shading and nuances in the early spring wildflowers. And, the more I see, the more I see.

The act of translating that vision in line, pattern and color into textile recreations introduces the next level of AHA!  It is an ever fascinating challenge to take the experience of seeing with eyes wide open, to shape it into form. From the fantastical realism of exaggerated insects, to the abstracted likeness of the quintessential flower bud, I seek to uncover the universal codes, to bring them to life with fabric and thread.  Tactile, textile translations of the mysteries of nature, celebrating the wonders of life, that is where I find my inspiration.



Lauren's work has been showed at both Paducah and Houston. She was a finalist in the $100,000 Quilt Challenge. Where will she show next? It could be anywhere. If she doesn't send it in, it's likely 
to fly in on it's own.



Wednesday, December 7, 2011

Maharishi of the Vacuum Cleaner

I would like to say that my cats taught me to be  terrified of vacuum cleaners. I'd like to say it but it's simply not true.


 No one actually cleaned much of anything in my childhood home. We lived in a pleasantly shabby small house carefully insulated by mountains of books. So once every five years or so, someone would put some effort into finding the floor and once found, vacuuming it. Of course that took in my case, huge quantities of ice cream. In my mother's case, similar quantities of gin. Either way we never faced it chemically unimpaired. It may explain why she thought it was funny to chase me around the room with it. It may also explain my complete dread of them.


But at a certain point you decide that your childhood is past. The floor is in shambles and it would be nice to see what color the rug is. So I went on the search for the vacuum I wouldn't hate. 


This was not easy. We went through a Royal, several Hoovers, a Eureka canister that lasted a week.We have a dog cookie under every rug and mattress and wisps of thread escaped from the studio. Some of them whole and some in crumbs. Admittedly, this is a hard life for any vacuum cleaner.


I was bemoaning the Eureka when Pat Winter told me she'd gotten a Bissell that pretty much ate babies for lunch for $44 at Walmart. Desperate with the image of my new godbaby wading through the crumbs, fur and crunchies, I bought one.


OMG did this thing whirl fur and fluff around. So it was with tears in my eyes I watched it die today.It was almost a whole month old. Could I find the receipt? Of course not. So I went online, and found the manual. While I was looking for the belt, one of the hoses fell off spewing crumblies everywhere. When I looked in the hose there was a small plastic bottle.


What could it be? I poked at it with broom handles, my croquet mallet handle, the fire poker, the skewers we use for roasting marshmallows. It finally gave it up for  particularly long mop handle.



What else could it have been? It was a bottle of sewers aid!


So I am now, by right of my passage Maharishi of the Vacuum Cleaner.Chief bottle washer too. And I know where I put the Sewer's Aid. Life is good. Now where did I put the floor?
Sunday, December 4, 2011

In Search of African Violet Colors: Anatomy of a Color Study








I love that purple and gold combination. It makes me think of African Violets, my favorite inside flower.
I know I'm out of season, but all this rain makes me think of this song, and that makes me think of violets. They come in endless colors, all of them gorgeous. So let's go to our color wheel and figure out why.


We have some great complementary action here! The purple and the yellow are zinging off each other, with some analogous purples on the side.  Of course it's irresistible.
Here's how that translates into a quilt. The metallic threads soften the yellow a bit, but they still play against each other. And the sweep of darker and lighter purples to either side makes it a richer combination.
Wrapping it up:
African violets are a great complementary purple/yellow color scheme, enhanced with some analogous purples on the side. If they make your heart happy, see what happens when you put oranges with blues. The color wheel shows us the relationships of these colors. Similar relationships will have similar effects. It's a great way to stretch your palette.


Friday, December 2, 2011

Getting Together




Normally December would  be a time of getting things into place. Getting them together. Tax receipts. Almost finished quilts. Articles that have to go out. The teaching is done for the year, and all those tasks impossible in the travel have to be done.
This December, add to that I'm getting ready for Thread Magic Garden, my new book from C&T publishing to arrive in January. There's a flurry of newsletters, articles and new work that has to be in place.
In the middle of that muddle, I'm trying very hard to realize that the best task is simplification. So with that in mind, I'm putting all my blogs into one place. 

I know that some people just want information, some people want stories, some people want a place to check for schedules, and some people just want eye candy. You'll still find it all here at the Art Outside the Box at ellenanneeddy.blogspot.com blog. I've put in a cloud label so you can find what you need easier. And I'm very curious as to what you think. I'm hoping you'll let me know.


All the blogs have been fed into this one. I'll still show you wonderful Lunatic Fringe people, color studies, funny stories, fabulous techniques and amazing embroidery. But, we're getting together. Right now.

Wednesday, November 30, 2011

The Distraction Faction

I live in dread of distraction. So it is with serious fear that I face the holidays. I have a really low attention span, and I multitask unmercifully, but I know I will leave three out of five of those tasks in the dust. So when the holidays come, I know I really ought to find the floor. 
This year we had a particular reason why that was vital.
This is Tom and Sarah.
This is Tom and Sarah with munchkin. It's astonishing how something so small can hold your whole heart that tightly.


Keira is at seven months, a bright sunny soul who likes soft boiled eggs, bee bop music, and is working on toy tossing as an Olympic sport. We had visions of what she'd do when she found the dog bones so we at least had to clean that much up. After that it became the search for more suction in vacuum cleaner land.


The weirdest thing has happened to me.   It was bad enough at the baby shower. I actually made a baby quilt. Since it's out of all my apron prints, it includes ghosts, tigers, hawks, spiders, and beetles. We thought we ought to start her early on those things.


But I'm knitting...............................!
I was really worried about having been distracted in this way and then it came to me. I won't really have to have someone pry the knitting needles out of my hands. They come in pairs and I'm bound to lose one sooner or later.


Either way, I've been given the ultimate  delight of a tiny hand waving wet spoons and toys at me as I sing her bee bop. Pretty good for a maiden fairy godmother.


Keira lives in Austin with my God kids, Tom and Sarah, They better bring her back soon or, God knows what I'll knit.

Saturday, November 26, 2011

To Kit or Not to Kit: A Teacher's Dilemma

The decisions we make as artists are so different than the decisions we make as teachers.
I came out in the seventies with a primary degree, ready to teach first grade. 
It was after several breathtakingly bad years substituting  when I finally got a job, only to find I was really bad at crowd control. It doesn't help when you're personally leading the riot.


But your life finds a way.  I worked in a fabric store and quilted insanely, until someone asked, "Could you teach a  class on that?"
Well, when teaching adults, it's ok to be leading the riot. It's kind of what they hired you for. They want excitement and new ideas and that roller coaster feeling of a whole new stash of toys they've never tried before. I'm exactly where I should be.
But the decisions I make about class are almost in opposition to decisions about the studio.
When it comes to materials, I believe that more is more. More colors please. More resources. More options. Certainly more choices. So when I've taught, I want that for students too. So how much and what do you pack? I used to bring whole bolts of stabilizers, fusibles and piles of books for design.
Strangely enough, it comes down to weight. The new luggage fees have changed that world and I have to think like a teacher, not like an artist. It's very strange to pack what I'm sure you'll need. And to leave the things that you might want back at the studio.


So I am proud/sad/confused/and conflicted to announce for the first time in my life I'm kitting classes. I'm still bringing fabulous fabrics I personally dye, hand-dyed threads you can't get anywhere else, hand-dyed cheesecloth and a collection of the most beautiful commercial threads I can find. But I'm kitting up the stabilizers/fusibles/and patterns to make your life easier the day before class. I'm also producing small classroom books for project classes that cover the material, give you pattern, how to illustrations, tips, sources and gallery photos all in one one pretty little booklet. Simplification really is a math project.


This is my first year to do that.You as students and fellow artists will have to let me know how that works for you.


The downside is that you can't always be sure what that kit will cost. Your group will ask me for a cost for that perhaps a year before class, usually when they book the class. Prices can raise dramatically in a year, and I've usually sliced it down to give students the best break I can. So if shipping or the price  spikes, I have no choice but to adjust the kit fee. What I've told students is that if the extra means you eat peanut butter for a week, I'll offer you a dispensation. I can absorb the extra for one or two, but for twenty it becomes a problem.
Like all works in process, I'm trying to figure this out. So as students and artist, what do you prefer? Do you want to strictly find and bring your own supplies? Do you prefer a kit? and can you handle a small price adjustment if it's needed?
This little dragonfly was started in my Dragonfly Sky class, a class built and streamlined with kits, a set pattern, and a booklet to help people on their way. 
The booklet is available separately at
www.ellenanneeddy.com
Dragonfly Sky
or at Amazon 
If you order from Ellen you get your book personally signed.
Or you can ask your guild to bring Ellen to teach you to make your own dragonfly sky. Ellen's  Teaching information 

To Kit or Not to Kit: A Teacher's Dilemma

The decisions we make as artists are so different than the decisions we make as teachers.
I came out in the seventies with a primary degree, ready to teach first grade. 
It was after several breathtakingly bad years substituting  when I finally got a job, only to find I was really bad at crowd control. It doesn't help when you're personally leading the riot.


But your life finds a way.  I worked in a fabric store and quilted insanely, until someone asked, "Could you teach a  class on that?"
Well, when teaching adults, it's ok to be leading the riot. It's kind of what they hired you for. They want excitement and new ideas and that roller coaster feeling of a whole new stash of toys they've never tried before. I'm exactly where I should be.
But the decisions I make about class are almost in opposition to decisions about the studio.
When it comes to materials, I believe that more is more. More colors please. More resources. More options. Certainly more choices. So when I've taught, I want that for students too. So how much and what do you pack? I used to bring whole bolts of stabilizers, fusibles and piles of books for design.
Strangely enough, it comes down to weight. The new luggage fees have changed that world and I have to think like a teacher, not like an artist. It's very strange to pack what I'm sure you'll need. And to leave the things that you might want back at the studio.


So I am proud/sad/confused/and conflicted to announce for the first time in my life I'm kitting classes. I'm still bringing fabulous fabrics I personally dye, hand-dyed threads you can't get anywhere else, hand-dyed cheesecloth and a collection of the most beautiful commercial threads I can find. But I'm kitting up the stabilizers/fusibles/and patterns to make your life easier the day before class. I'm also producing small classroom books for project classes that cover the material, give you pattern, how to illustrations, tips, sources and gallery photos all in one one pretty little booklet. Simplification really is a math project.


This is my first year to do that.You as students and fellow artists will have to let me know how that works for you.


The downside is that you can't always be sure what that kit will cost. Your group will ask me for a cost for that perhaps a year before class, usually when they book the class. Prices can raise dramatically in a year, and I've usually sliced it down to give students the best break I can. So if shipping or the price  spikes, I have no choice but to adjust the kit fee. What I've told students is that if the extra means you eat peanut butter for a week, I'll offer you a dispensation. I can absorb the extra for one or two, but for twenty it becomes a problem.
Like all works in process, I'm trying to figure this out. So as students and artist, what do you prefer? Do you want to strictly find and bring your own supplies? Do you prefer a kit? and can you handle a small price adjustment if it's needed?
This little dragonfly was started in my Dragonfly Sky class, a class built and streamlined with kits, a set pattern, and a booklet to help people on their way. 
The booklet is available separately at
www.ellenanneeddy.com
Dragonfly Sky
or at Amazon 
If you order from Ellen you get your book personally signed.
Or you can ask your guild to bring Ellen to teach you to make your own dragonfly sky. Ellen's  Teaching information 

Ellen Anne Eddy's Flowers on Youtube.com

Review of Thread Magic Garden

Review of Thread Magic Garden
From the Subversive Stitch

Review of Thread Magic Garden

Review of Thread Magic Garden
Book Review from Golden Dog Quilting

C&T Blog

C&T Blog
My Studio Garden: A blog at C&T Publishing

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Like us on Facebook

Quiltposium, Fall2011

Quiltposium, Fall2011
Ellen's New Article, Dance of Design

Essential Embroidery Stitches: Free Hand and Machine Embroidery Designs and Techniques.

Essential Embroidery Stitches: Free Hand and Machine Embroidery Designs and Techniques.
Get this free book from Quilting Arts. It has a series of articles I wrote called Defining the Line.

The Butterfly Effect

The Butterfly Effect

Guest Blog On Subversive Stitchers!

Guest Blog On Subversive Stitchers!
The Stories Tell Me

Guest Blog On Quilt Gallery

Guest Blog On Quilt Gallery
http://quiltinggallery.com/2010/08/12/dancing-in-the-light/

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